| Local Contrast Enhancement
The source for this week's "Tip
of the Week" is a recent thread on Phil Askey's site, Digital
Photography Review. Someone asked about using sharpening to
enhance image contrast.
(If you have not visited "DPR,"
I encourage you to stop by. Phil offers very thorough reviews of
new digital cameras. His forums are definitely among my personal
favorites, too.)
You can indeed apply sharpening
in a way that adds to the perceived contrast in an image. I don't
take credit for the technique. I learned about it from Michael Reichmann
on his site, The Luminous
Landscape. Michael credits Thomas Knoll, the father of Photoshop,
with the technique.
The technique is simple. Best
of all, the technique works!
You use the Photoshop Unsharp
Mask (USM) filter with a low setting for Amount and a high setting
for Radius. Good starting points are Amount = 10 or 20 and Radius
= 30 to 60.
Why low Amount and high Radius?
Those settings increase contrast along the edges of small details.
As Michael Reichmann notes, when you increase contrast along small
adjacent areas, the shadows and highlights appear broader to our
eyes.
Still dubious? Here is an image
after basic adjustments. I use a two-stage or three-stage sharpening
workflow, which you can read about in my sharpening tutorial, "Put
a Fine Edge on Your Sharpening Skills." The image already
has received a round of capture sharpening.

The image is reasonably sharp.
Capture sharpening is light sharpening. Just enough to restore sharpness
lost during digital capture.
The next image shows the result
of USM settings Amount = 10 and Radius = 20.

The image is visibly sharper.
This is most evident in the texture of the log. Contrast also shows
a slight improvement. Don't expect the increase in perceived contrast
to be readily apparent. The improvement is subtle, but perceptible.
Let's see what happens when
USM settings are Amount = 20 and Radius = 50.

There's even more contrast in
the fine details. Especially in the lighter striations along the
log.
I often apply a round of Local
Contrast Enhancement just before I apply output sharpening. When
I sharpen for the Web, I can often get by without a final output
sharpening layer. Local Contrast Enhancement suffices. Output sharpening
needs to be specific for the output device, however, so expect to
apply a light round of output sharpening before sending your image
to a printer or film recorder.
Please, go take a look at Michael
Reichmann's article, "Local
Contrast Enhancement." Thanks to Michael and to Thomas
Knoll for a technique that's easy to apply to improve our images!
Cheers!
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